Reisinger Studio

DESIGN STUDIO BRIDGING THE IMAGINED AND THE TANGIBLE THROUGH 3D VISUALS, FILM, AND COLLECTIBLE PIECES — FOUNDED AND DIRECTED BY ARTIST ANDRéS REISINGER.

REISINGER STUDIO

56. Job Interview – Exhibition

For his exhibition at Last Resort, Andrés Reisinger has created no less than 58 digital proposals for exhibitions at the gallery as well as a new monumental sculpture which has to be experienced at the gallery within an original context envisioned by the artist.

"For his first solo exhibition at the Copenhagen gallery Last Resort, Barcelona-based digital artist and designer Andres Reisinger created more than 50 different 3D renderings for exhibition proposals before settling, with gallery director Peter Amby, on the final concept. Called “Job Interview,” the exhibition is meant to evoke an interview’s feeling of discomfort, and it features a monumental pink recycled PVC sphere that takes up a portion of the gallery space, leaving little room for exhibition-goers. By showing images of both the final exhibition and the 58 proposals online, however, the show also brings up a relatively thorny question: How much does the final exhibition concept actually matter if most people are going to view the exhibition only virtually online?"

Jill Singer x SightUnseen

-
#digital #exhibition #experience #installation #physical #pink #sculpture #sphere

PROJECT: Job Interview – Exhibition

X: Exhibition

Year: 2019

Information: For his exhibition at Last Resort, Andrés Reisinger has created no less than 58 digital proposals for exhibitions at the gallery as well as a new monumental sculpture which has to be experienced at the gallery within an original context envisioned by the artist.

"For his first solo exhibition at the Copenhagen gallery Last Resort, Barcelona-based digital artist and designer Andres Reisinger created more than 50 different 3D renderings for exhibition proposals before settling, with gallery director Peter Amby, on the final concept. Called “Job Interview,” the exhibition is meant to evoke an interview’s feeling of discomfort, and it features a monumental pink recycled PVC sphere that takes up a portion of the gallery space, leaving little room for exhibition-goers. By showing images of both the final exhibition and the 58 proposals online, however, the show also brings up a relatively thorny question: How much does the final exhibition concept actually matter if most people are going to view the exhibition only virtually online?"

Jill Singer x SightUnseen