UNCLASSIFIABLE STUDIO BRIDGING THE IMAGINED AND THE TANGIBLE —
A CREATIVE POWERHOUSE TRANSFORMING DIGITAL VISIONS INTO CULTURAL MOMENTS.

REISINGER STUDIO
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48. Too much, Too Soon!
On the occasion of Nilufar Gallery’s Milan Design Week, Andrés Reisinger presented “TOO MUCH, TOO SOON!”. The bewitching and dream-like installation takes Reisinger’s signature aesthetic to the next level by staging the artist’s squatting of Nina Yashar, founder of Nilufar Gallery’s office at the Depot location. Inspired by the 1950s and 1960s Free Jazz’s rebellious and improvisational approach, Reisinger’s new installation takes the functional space of Yashar’s office and renders it inaccessible. In this setting, four new illuminated sculptures are exhibited for the first inaccessible. In this setting, four new illuminated sculptures are exhibited for the first inaccessible. In this setting, four new illuminated sculptures are exhibited for the first unexpected, almost improvisational, seemingly-moving geometry. The four illuminated sculptures are entirely made of metal, chromed, and lacquered. The four artifacts are titled ‘OZ’, ‘DOT’, ‘ENDLESS’, and ‘HIGH’.

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Too much, Too Soon!
Too much, Too Soon!
Too much, Too Soon!
Too much, Too Soon!
Too much, Too Soon!

PROJECT: Too much, Too Soon!
Information: On the occasion of Nilufar Gallery’s Milan Design Week, Andrés Reisinger presented “TOO MUCH, TOO SOON!”. The bewitching and dream-like installation takes Reisinger’s signature aesthetic to the next level by staging the artist’s squatting of Nina Yashar, founder of Nilufar Gallery’s office at the Depot location. Inspired by the 1950s and 1960s Free Jazz’s rebellious and improvisational approach, Reisinger’s new installation takes the functional space of Yashar’s office and renders it inaccessible. In this setting, four new illuminated sculptures are exhibited for the first inaccessible. In this setting, four new illuminated sculptures are exhibited for the first inaccessible. In this setting, four new illuminated sculptures are exhibited for the first unexpected, almost improvisational, seemingly-moving geometry. The four illuminated sculptures are entirely made of metal, chromed, and lacquered. The four artifacts are titled ‘OZ’, ‘DOT’, ‘ENDLESS’, and ‘HIGH’.